LAB



The Lab week will be a fragment of my direction intented to achieve for the MA level. Since the objectives of the final performance M00-0364 is a lecture/performance, I dissected the scenographical space in order to address part of the performance. By performing this fragment will generate the understanding on how does the heaviest lecture section of the performance works for the audience in terms of botherness. It must be acknowledged that this section will be the segment with the most clinical and advanced vocabulary concerning reactions or procedures when having HIV (CD4, Viral Load and Lipodystrophy). The section will be lectured by me and the explanation will be from PowerPoint's and addressed as a performative action. Having stated that (and by performing that) I am not considering to minor the audience’s boredom since this section will still be long, calm and detailed. Within the description this monotony will be maintained on purpose in orther to make them realize that the repetitiveness vanishes when they start taking notes on a note book that will be explained as given at the interm-show performance. This fraction will also create botherness in order to jump out from it in the next section which will be one of the powerful picks on the overall MA performance. For those who kept the boredom as a passive receiver and want to continue with a none political and social consciousness, a hardcore and punk experimental music piece will be performed which begins by stating “If there is no political consciousness there is no aliveness but rather death of the human brain”. Having affirmed what is going to occur on the performative fraction, I do emphasise that the background will be filled with many TVs that on a loop show different people that have been interviewed about HIV/AIDS but in silence. During the MA level performance fractions of this interviews will be shown but not on the Lab week. It must be also said that the hardcore and punk experimental music piece will be inspired on one of the interviewed that manifests no political or social consciousness what so ever, no interest, no curiosity, no enthusiasm. As previously stated before, the lecture at the LAB2 will question how does the heaviest section of text works for the audience; how would the audience feel and react on the note books, how does the music created by the Music Composer Duarte Cardoso impacts as a provocation and how do small contradictions create discourse.

Canha